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Degas in the Art Institute of ChicagoАвтор: Richard R. Brettell, Suzanne Folds McCullagh
Название: Degas in the Art Institute of Chicago
Издательство: Art Institute of Chicago/Harry N. Abrams
Год: 1984
Формат: PDF
Страниц: 186
Язык: English
Размер: 34.4 MB

A selection of artworks by Edgar Degas encompasses paintings, watercolors, graphics, pastels, and sculpture from the collection of The Art Institute of Chicago.
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Egyptian Painting and Drawing in the British MuseumАвтор: T.G.H. James
Название: Egyptian Painting and Drawing in the British Museum
Издательство: Harvard University Press
Год: 1989
Формат: PDF
Страниц: 76
Язык: English
Размер: 14.3 MB

From tbe earliest times the Egyptians used bold, bright colours to decorate their buildings, sculptures, papyri, coffins and funerary chests. The large tomb-paintings in the British Museum are the most brilliant examples of their artistry but their love of colour shows also in the small vignettes of painted papyri. This book surveys the whole range of Egypian painting, illustrated chiefly by the wealth of material in the British Museum. T.G.H. Jamesexamines the material used by the ancient painters and explains the conventions and methods which governed some great artists, whose work should be valued in its own right as well as for its incomparable record record of Egyptian life 3000 years ago.
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French Impressionists and Their CircleАвтор: Herman Joel Wechsler
Название: French Impressionists and Their Circle
Издательство: Harry N. Abrams/Pocket Books
Год: 1953
Формат: PDF
Страниц: 94
Язык: English
Размер: 12 MB

The charms of the French landscape, the holiday mood of Paris boulevards, cafes, and parks, and above all, the poetry of light—these are the subjects immortalized by the Impressionists in one of the most exciting art movements of the nineteenth century. Yet, when Monet, Renoir, Pissarro, and their associates first exhibited in 1874, their novel subjects and technique were greeted with jeers, and the name Impressionist was applied in ridicule. Now, the name has become honorable, just as their brilliant canvases have become perhaps the most widely loved in history.
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George Stubbs 1724-1806
Автор: Collective
Название: George Stubbs 1724-1806
Издательство: Tate Gallery
Год: 1984
Формат: PDF
Страниц: 260
Язык: English
Размер: 37 MB

Stubbs is one of the most original and searching of all animal painters, whether his subject is a brood-mare, a monkey, or a poodle in a punt. For too long undervalued as "Mr Stubbs the Horse Painter", he is now recognized as an equal of Gainsborough and Reynolds in the foremost rank of British art. His searching eye made him a perceptive portrayer of human beings too, and the class distinctions of 18th-century England are dissected with the same clarity as the anatomy of a horse. Above all, Stubbs is a master of design, able to translate faithful observations from nature into unforgettable images. This reprint of the 1984 exhibition catalogue reproduces in colour all the works shown, and enlarges many details which illuminate the artist's technique.
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American Paintings 1815-1865Автор: Collective
Название: American Paintings 1815-1865
Издательство: Museum of Fine Arts, Boston
Год: 1956
Формат: PDF
Страниц: 120
Язык: English
Размер: 20.5 MB

One hundred and thirty-six paintings from the M. and M. Karolik collection in the Museum of Fine Arts, Boston, together with fourteen paintings from the private collection of Maxim Karolik circulated by the Museum of Fine Arts, Boston, 1957-1959.
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Portrait Painting Atelier: Old Master Techniques and Contemporary Applications
Автор: Suzanne Brooker
Название: Portrait Painting Atelier: Old Master Techniques and Contemporary Applications
Издательство: Watson-Guptill
Год: 2010
Формат: epub и PDF (конвертированный)
Размер: 48,7 Мб и 18,9 Мб
Страниц: 208 (по описанию)
Язык: английский

Книга посвящена портретной живописи. Рисование масляными красками, используя техники старых мастеров. Книга, всесторонне охватывающая понятия и методы традиционной портретной живописи. В издании представлены пошаговые демонстрации создания портретов в лучших классических традициях.
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Just Add Watercolor: Inspiration and Painting Techniques from Contemporary Artists
Автор: Helen Birch
Название: Just Add Watercolor: Inspiration and Painting Techniques from Contemporary Artists
Издательство: Watson-Guptill
Год: 2015
Формат: epub и PDF (конвертированный)
Размер: 97,3 Мб и 72,2 Мб
Страниц: 208 (по описанию)
Язык: английский

Красиво иллюстрированное, простое для навигации руководство по созданию современных акварелей, содержащее полезные идеи и советы для художников.
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Matisse: Father & SonАвтор: John Russell
Название: Matisse: Father & Son
Издательство: Harry N. Abrams
Год: 2001
Формат: PDF
Страниц: 472
Язык: English
Размер: 78.5 MB

An intriguing dual biography explores the relationship between famed post-Impressionist artist Henri Matisse and his son Pierre, an influential art dealer, drawing on Pierre's unpublished archives and numerous letters between father and son to offer a fascinating portrait of twentieth-century art.
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Mather Brown: Early American Artist in EnglandАвтор: Dorinda Evans
Название: Mather Brown: Early American Artist in England
Издательство: Wesleyan University Press
Год: 1982
Формат: PDF
Страниц: 334
Язык: English
Размер: 41.4 MB

Of the major early American artists, painter and portraitist Mather Brown (1761-1831) is the least known. The first full-length study of his life and work, Mather Brouni: Early American Artist iji England brings attention to the high quality of his work and elucidates the apparent contradiction between his considerable popularity during his lifetime and his subsequent obscurity in the history of American art.
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Italian Pictures of the Renaissance: A List of the Principal Artists and Their Works (Vol. I)Автор: Bernard Berenson
Название: Italian Pictures of the Renaissance: A List of the Principal Artists and Their Works (Vol. I)
Издательство: Phaidon
Год: 1963
Формат: PDF
Страниц: 646
Язык: English
Размер: 57.7 MB

Berenson's 'Lists', for many years past a standard work of reference indispensable to all those seriously interested in Italian Renaissance Painting, have now been revised and brought up to date. Attributions have been checked and in some cases changed, newly discovered pictures have been added, changes in ownership have been noted, and a number of less well known painters have been included. Tlie present edition is about a third longer than the Lists of 1932 and 1936, and is the first to contain a wealth of illustrations, arranged in chronological and systematic order, thus giving the volumes an encyclopaedic character.
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